“ Hardcore will never die!” intones one voice, turning history into legend. Tenderly constructed from the yawps of enthusiastic punters, charlied-up snares, and what sounds like Begbie’s preferred hand-to-hand weapon, “Raving” celebrates a vanished scene with the sort of warmth possible only in someone who wasn’t actually there. It reminds me not of the music I loved in the ’90s, but of the way I loved it: from a jealous, eager distance. “All Under One Roof Raving,” by 25-year-old British soul collagist Jamie xx, is fandom filtered through memory and distilled into euphoria. What music really can be is a window - equally intoxicating whether you jump through it or remain with your nose pressed eagerly against the glass. It’s imprecise to say that music can be a form of escape.
#RYAN ADAMS MIDNIGHT WAVE PODCAST FREE#
Because I didn’t know what LTJ Bukem or Underworld were banging on about, I was free to imagine something greater. In fact, it was the fantasy alone that made it so meaningful. But reality wasn’t an impediment to my fandom. Turns out, it was tough for a teenager to find a credible drum’n’bass club along the Acela corridor during the Clinton administration Ecstasy wasn’t nearly as plentiful as Fruitopia. Jamie xx, “All Under One Roof Raving”Īndy Greenwald: I spent the majority of the 1990s reading about British dance parties I would never actually attend. But only temporarily, because N---- WE MADE IT. An accomplishment regardless, but more a celebration of endurance than status.Ī moment of silence, as Aubrey states on the track, for 2014. Still anthemic, but more “we made it - to the end.” Finally. As the next 12 months ran their course, the song has taken on a new meaning. Or at least that’s how it felt at the beginning of 2014, a year filled with promise. The Drake who genuinely believes this beat should be playing when he walks through various halls can convince you, by the end of “We Made It,” that you are part of the “we” who are making it. And I’m fairly confident it will be the last song I hear as we, thankfully, graduate out of this stressful year. It’s the first song I heard when the clock hit midnight. While his triumphant, trumpet-filled “Trophies” is closer to Aaron Copland than to PartyNextDoor, it’s his OVO SoundCloud B-side “We Made It” that will always represent 2014, for better and worse. Rembert Browne: Aubrey Drake Graham released two of 2014’s best anthems between Kwanzaa 2013 and MLK Day.
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